Wednesday, November 11, 2009
Monday, October 19, 2009
Wednesday, September 9, 2009
Blunt From Dutch Master
"47"
Art Verona +
FestivalFilosofia2009SullaComunità
18/19/20settembre2009
venerable studio / MelePere
guild has
bands
Giulia Ferrara
Luiza Samanda Turrini
"47"
Maramures, Sapanta, cimitirul, Vesel:
dell'allegrezza and abracadabra
late by Patrick Schiavone
Silingardi and Sonia with Adriana Jebeleanu
At ArtVerona, prestigious setting of contemporary international MelePere presents an exhibition related to the Festival of Philosophy, held in Modena at the same time. In collaboration with the gallery StudioVetusta and the declining theme of the festival - the community - on its actual ability and storage memory is understood that the location of the cemetery, MelePere offers a comparison of three interdisciplinary artists, Gilda Scaggs, Giulia Ferrarese and Luiza Samanda Turrini, who from time to time, through installation, video and writing, conceptual argue the fascinations of this place. The project is distinguished by the number "47", the cabal that means "dead man talking." In particular, while including the values \u200b\u200bof the fairy spell, the abracadabra which the title alludes to give a precise spatial coordinates, real geographical indications likely to indicate a remote district on the border with Hungary, Romania, Maramures, where, in the small town of Sapanta, was created in the seventies an extraordinary open-air museum "the Cimitirul Vesel": Allegro Cemetery, where in spite of the usual conventions - always active in the gloom of mourning - is celebrated the happiness and joy. To Gilda Scaglioni it comes to creating tombs, epitaphs, memorabilia signifying an event to remember with a slight smile. Pedigree of a tree indimeticati doll clothes - a sort of circuit - is the excuse to tell the languor of an absence-presence of which we have only the ghost, the capacity. L 'immanence of objects, still characterized by slow practices such as sewing, writing, composition accurate - comes to transcribe a slight feeling of childish wonder, unaware of lost happiness. The same welcome ghosts, as well as that nostalgic past with deep affection and remembrance, are collected in the literary contribution of Luiza Samanda Turrini presenting a prose novel, in which the word, like a jewel, is fine and "chased" the soliloquy in transcribing of the disappeared. In proposing his minutes cemetery merry, take part in the consideration of those occurrences which are indispensable to the preservation and memory beyond the ephemeral existence. Meanwhile, in scan is always the same and the inexorable passage of time, Julia is working Ferrarese nell'implacabile sleepy and video recording of shadows and sun, focusing on what floats or is close to rot, intent to catch - in the manner of Baudelaire and the apparent minimalism ed'oltralpe Russian cinema - a breath that really is not any human being.
vernissage Friday, September 18, 2009 19:00
c / o studiovetusta, Modena, via carteria60
opening 18-19-20 September h.19.00/22.00
c / o MelePere, Verona, via sottoriva12
melepereverona37121viasottoriva12info390458015353www.melepere. com
vetustamodena41100viacarteria60info393475601841studiovetusta.blogspot.com
Luiza Samanda Turrini
THE DEAD
We heard? Can you hear us?
We will not talk to your ear.
not with your ear that you have to listen
are other, portals
you remember us?
Over time
We had
Other names you call us
Travellers
dreamers
the Sick
's Enchanted
But now we call
With another
Name
We are the Dead
We're here to tell you
to speak to tell you that
to ask what we should
feel for who we
disclaims
for those who do not want to see us
for those who pretend that we do not exist
for those without even
offends us know we would dissolve in water
sink smell and dark womb
land or explode upward from the flame brought
but you shut us
in hermetically sealed boxes
and our steps dilate
there closed for years
until our car exploded
does not dissolve the past
seem to never end and we look
almost with curiosity
the havoc
tightly closed and we think we really lost the support
love
of those who remain
us if you if you loved you loved
really should be eating but you
horror
of us we are the other
We are not the same as you
you you move, you're on the move
Your movement does not cease even when
ever fall asleep even when your heads
are crossed by the waves of the theta coma
absolute stillness, if someone moves
your movement generates harmonic waves
We do not you remember?
you remember of our body,
after we are gone
there?
was like an empty shell, a mineral
firm
you remember the movements of our bodies
evacuated?
were deaf. Wedging in support of
were non-movement
Oh, the dance of molecules living
Perpetua
Like a symphony
You say that as
you is better
Life is better than death!
When you say you say it, we smile
It's like the memory of a smile
is better?
is worse?
is better dell'infazia
the gem or the flower of youth
?
There are advantages and disadvantages
intertwined
as a canvas and your benefits are the Five Majesty
your
portals that are in fact many more
know that the five probe and break the world
and gather together in the body
So the body and the world become a
But your body is perceived as separate
And this is a mystery to us. We have forgotten how
this is possible.
Portals are a masterpiece
The warm touch, which wraps your beings
like a blanket of feathers
The voluptuous taste that dripping off pieces
world and brings them within you
Smell
that speaks to you like the music and sticking
in deeper states
memory
The hearing, which transforms the world
in a garden of rustling, singing, screaming silence
And the view, the divine within
the breath of knowledge. What strength
What garbage
What splendor
We do not we have more
What we have left is pale and muffled
As in a dream
We have evacuated the anchor of the body.
We took off. And now we
at the mercy of the currents. What
What
E '
Success?
We have spent a bit 'before
take note.
Pain was
Fortissimo
The greatest pain of all
life
The body does not have cancer.
crashed
No matter how we get there.
In sleep, in sickness, torture
The peak is the same for everyone.
It is not easy
is difficult
is the hardest thing you'll do
Dying
The pain is inexpressible
.
body crashes. Explodes.
Time ends
But after
The minute the door
When the issue occurs
The latest sensation
A pleasure
Infinite
As the pain that came before it
Feather
As a reminder that there is something
Because we cease to be
like you do all of you
And then you do?
What happens next? We see
you want to know what happens then
It happens that leaves the body
crashed exiting
Out and out there the more time the bank
the river where time flows
is
body and ends when the body
the river of time flows into
where there is neither before nor after
but everything happens in an eternal present
as in dreams we lose in that body and
when we understand that the poem
of its constant motion
is a pale prelude to what comes after
we take the flight
fly around houses
mountains to graze the treetops
the expanse of clouds we see the earth from
decomposed
we no longer have the constraints of gravity
and weight
go from one world to another without
land laws to obey
as in dreams sometimes linger with you
you paved the roads
align the crosshairs
or you scream
not to go and the dream becomes
beautiful when you hear us
and now we see that you are asking us
badgered us want to know
of our nature
see
death
the death
death is but a step
at a later stage
a stage devoid of the wonderful
and heavy sounding
of the flesh and ego
phase
more subtle
in which only molecules
and electricity
waves
we are as the waves pass through
things
feel
frequency modulations of the thoughts and intentions
see everything from
see
mapping
and we are not like you believe
eternal
your memory of us binds us
at first when
your memory
dissolves the bond is broken and we
travel for pleasure
until
not feel something that seems
the memory of fatigue
and then decide to dissolve
our atoms disperse in the world
falling like seeds in the ground
the stones in the sea
and this time everything is
in peace without pain
but before this happens
before he could rule the dream
we continue to be there and love the scents
lights
things that resemble the sounds
you there when the flow
brought us light, smells, sounds
they caress us
touch us and we are happy
is like the memory
happiness but most of all love
talk in the dark hours in the hours
lonely if you listen you put
we will talk you through songs speak sometimes
through images through sudden
words written by others
we have the power to bend the crossroads
invisible
we are strong and numerous as the waves
and we can bring you the gift of words and images
bring harmony music
but if you want to be able to talk the night
in the bubbles of silence
you must be careful
and discard all the other voices inside your head
and tune in to our
we will not lie
is among you who can hear
better because the noise of the world can not take it
and this together with the other
who often feel that
must respond and then do things
purified
things that show him
and the world as it really should be and how
who
from this body
to what we suggest the
attention because all true visions are visions
afterlife is prepared so the bottom of the transition
the landscape when they pass beyond
for those of you who know
listen and give us response
We talk to us and you
Because you can understand
But in reality there
an us and you
Why all of you No one except us will become
you need not be afraid
we were you we'll be all you
us and you're the same thing
Art Verona +
FestivalFilosofia2009SullaComunità
18/19/20settembre2009
venerable studio / MelePere
guild has
bands
Giulia Ferrara
Luiza Samanda Turrini
"47"
Maramures, Sapanta, cimitirul, Vesel:
dell'allegrezza and abracadabra
late by Patrick Schiavone
Silingardi and Sonia with Adriana Jebeleanu
At ArtVerona, prestigious setting of contemporary international MelePere presents an exhibition related to the Festival of Philosophy, held in Modena at the same time. In collaboration with the gallery StudioVetusta and the declining theme of the festival - the community - on its actual ability and storage memory is understood that the location of the cemetery, MelePere offers a comparison of three interdisciplinary artists, Gilda Scaggs, Giulia Ferrarese and Luiza Samanda Turrini, who from time to time, through installation, video and writing, conceptual argue the fascinations of this place. The project is distinguished by the number "47", the cabal that means "dead man talking." In particular, while including the values \u200b\u200bof the fairy spell, the abracadabra which the title alludes to give a precise spatial coordinates, real geographical indications likely to indicate a remote district on the border with Hungary, Romania, Maramures, where, in the small town of Sapanta, was created in the seventies an extraordinary open-air museum "the Cimitirul Vesel": Allegro Cemetery, where in spite of the usual conventions - always active in the gloom of mourning - is celebrated the happiness and joy. To Gilda Scaglioni it comes to creating tombs, epitaphs, memorabilia signifying an event to remember with a slight smile. Pedigree of a tree indimeticati doll clothes - a sort of circuit - is the excuse to tell the languor of an absence-presence of which we have only the ghost, the capacity. L 'immanence of objects, still characterized by slow practices such as sewing, writing, composition accurate - comes to transcribe a slight feeling of childish wonder, unaware of lost happiness. The same welcome ghosts, as well as that nostalgic past with deep affection and remembrance, are collected in the literary contribution of Luiza Samanda Turrini presenting a prose novel, in which the word, like a jewel, is fine and "chased" the soliloquy in transcribing of the disappeared. In proposing his minutes cemetery merry, take part in the consideration of those occurrences which are indispensable to the preservation and memory beyond the ephemeral existence. Meanwhile, in scan is always the same and the inexorable passage of time, Julia is working Ferrarese nell'implacabile sleepy and video recording of shadows and sun, focusing on what floats or is close to rot, intent to catch - in the manner of Baudelaire and the apparent minimalism ed'oltralpe Russian cinema - a breath that really is not any human being.
vernissage Friday, September 18, 2009 19:00
c / o studiovetusta, Modena, via carteria60
opening 18-19-20 September h.19.00/22.00
c / o MelePere, Verona, via sottoriva12
melepereverona37121viasottoriva12info390458015353www.melepere. com
vetustamodena41100viacarteria60info393475601841studiovetusta.blogspot.com
Luiza Samanda Turrini
THE DEAD
We heard? Can you hear us?
We will not talk to your ear.
not with your ear that you have to listen
are other, portals
you remember us?
Over time
We had
Other names you call us
Travellers
dreamers
the Sick
's Enchanted
But now we call
With another
Name
We are the Dead
We're here to tell you
to speak to tell you that
to ask what we should
feel for who we
disclaims
for those who do not want to see us
for those who pretend that we do not exist
for those without even
offends us know we would dissolve in water
sink smell and dark womb
land or explode upward from the flame brought
but you shut us
in hermetically sealed boxes
and our steps dilate
there closed for years
until our car exploded
does not dissolve the past
seem to never end and we look
almost with curiosity
the havoc
tightly closed and we think we really lost the support
love
of those who remain
us if you if you loved you loved
really should be eating but you
horror
of us we are the other
We are not the same as you
you you move, you're on the move
Your movement does not cease even when
ever fall asleep even when your heads
are crossed by the waves of the theta coma
absolute stillness, if someone moves
your movement generates harmonic waves
We do not you remember?
you remember of our body,
after we are gone
there?
was like an empty shell, a mineral
firm
you remember the movements of our bodies
evacuated?
were deaf. Wedging in support of
were non-movement
Oh, the dance of molecules living
Perpetua
Like a symphony
You say that as
you is better
Life is better than death!
When you say you say it, we smile
It's like the memory of a smile
is better?
is worse?
is better dell'infazia
the gem or the flower of youth
?
There are advantages and disadvantages
intertwined
as a canvas and your benefits are the Five Majesty
your
portals that are in fact many more
know that the five probe and break the world
and gather together in the body
So the body and the world become a
But your body is perceived as separate
And this is a mystery to us. We have forgotten how
this is possible.
Portals are a masterpiece
The warm touch, which wraps your beings
like a blanket of feathers
The voluptuous taste that dripping off pieces
world and brings them within you
Smell
that speaks to you like the music and sticking
in deeper states
memory
The hearing, which transforms the world
in a garden of rustling, singing, screaming silence
And the view, the divine within
the breath of knowledge. What strength
What garbage
What splendor
We do not we have more
What we have left is pale and muffled
As in a dream
We have evacuated the anchor of the body.
We took off. And now we
at the mercy of the currents. What
What
E '
Success?
We have spent a bit 'before
take note.
Pain was
Fortissimo
The greatest pain of all
life
The body does not have cancer.
crashed
No matter how we get there.
In sleep, in sickness, torture
The peak is the same for everyone.
It is not easy
is difficult
is the hardest thing you'll do
Dying
The pain is inexpressible
.
body crashes. Explodes.
Time ends
But after
The minute the door
When the issue occurs
The latest sensation
A pleasure
Infinite
As the pain that came before it
Feather
As a reminder that there is something
Because we cease to be
like you do all of you
And then you do?
What happens next? We see
you want to know what happens then
It happens that leaves the body
crashed exiting
Out and out there the more time the bank
the river where time flows
is
body and ends when the body
the river of time flows into
where there is neither before nor after
but everything happens in an eternal present
as in dreams we lose in that body and
when we understand that the poem
of its constant motion
is a pale prelude to what comes after
we take the flight
fly around houses
mountains to graze the treetops
the expanse of clouds we see the earth from
decomposed
we no longer have the constraints of gravity
and weight
go from one world to another without
land laws to obey
as in dreams sometimes linger with you
you paved the roads
align the crosshairs
or you scream
not to go and the dream becomes
beautiful when you hear us
and now we see that you are asking us
badgered us want to know
of our nature
see
death
the death
death is but a step
at a later stage
a stage devoid of the wonderful
and heavy sounding
of the flesh and ego
phase
more subtle
in which only molecules
and electricity
waves
we are as the waves pass through
things
feel
frequency modulations of the thoughts and intentions
see everything from
see
mapping
and we are not like you believe
eternal
your memory of us binds us
at first when
your memory
dissolves the bond is broken and we
travel for pleasure
until
not feel something that seems
the memory of fatigue
and then decide to dissolve
our atoms disperse in the world
falling like seeds in the ground
the stones in the sea
and this time everything is
in peace without pain
but before this happens
before he could rule the dream
we continue to be there and love the scents
lights
things that resemble the sounds
you there when the flow
brought us light, smells, sounds
they caress us
touch us and we are happy
is like the memory
happiness but most of all love
talk in the dark hours in the hours
lonely if you listen you put
we will talk you through songs speak sometimes
through images through sudden
words written by others
we have the power to bend the crossroads
invisible
we are strong and numerous as the waves
and we can bring you the gift of words and images
bring harmony music
but if you want to be able to talk the night
in the bubbles of silence
you must be careful
and discard all the other voices inside your head
and tune in to our
we will not lie
is among you who can hear
better because the noise of the world can not take it
and this together with the other
who often feel that
must respond and then do things
purified
things that show him
and the world as it really should be and how
who
from this body
to what we suggest the
attention because all true visions are visions
afterlife is prepared so the bottom of the transition
the landscape when they pass beyond
for those of you who know
listen and give us response
We talk to us and you
Because you can understand
But in reality there
an us and you
Why all of you No one except us will become
you need not be afraid
we were you we'll be all you
us and you're the same thing
Wednesday, July 22, 2009
Ati Radeon 9000u Famili
TROTTING 19.00 WEDNESDAY, July 22
THIS IS NS. FORECASTING
10 to 12 - 4 - 2-8 
THIS IS NS. FORECASTING
10 to 12 - 4 - 2-8
Thursday, July 16, 2009
What Is In Chinese Bitters
LIVORNO ORE 22.30 MILAN
Come now to compile the ns. system:
5 hp. EURO 30
NX 5 to 10 - 11 - 8 to 16
1P/NX6
5 / 10 - 11 - 13 - 8 to 16 
Come now to compile the ns. system:
5 hp. EURO 30
NX 5 to 10 - 11 - 8 to 16
1P/NX6
5 / 10 - 11 - 13 - 8 to 16
Wednesday, July 15, 2009
Beautiful Place At Dallas
TRIS FOURTH GALLOP 19.00
Here are the horses that we intend for this trio of Milan.
No. 1 DR HOUSE
No. 2 ESTRELLA DEL MAR
No. 3 DUBAI GOLDEN
No. 4 MARRON GLACE
No. 12 GYPSY BIKER
Here are the horses that we intend for this trio of Milan.
No. 1 DR HOUSE
No. 2 ESTRELLA DEL MAR
No. 3 DUBAI GOLDEN
No. 4 MARRON GLACE
No. 12 GYPSY BIKER
My Home Vids Milena Velba
15/07/2009 MONTECATINI TRIS SCENES '
Here we are with a We propose new appointment
horses on which we focus:
No. 4 Egersund
No. 7 Footing RE
No. 9 D'DEDO ALFA
No. 14 DUCACOMM
# 18 GHOST OF POGGIO 
Here we are with a We propose new appointment
horses on which we focus:
No. 4 Egersund
No. 7 Footing RE
No. 9 D'DEDO ALFA
No. 14 DUCACOMM
# 18 GHOST OF POGGIO
Tuesday, June 30, 2009
Cost To Reupholster Bmw
WON EURO 357 MILAN FAIR TROT TROT
FORECASTING A SIGN!
FORECASTING A SIGN! TROTTING 30/06/2009 MILAN WON EURO 357
WINNING COMBINATION 16 - 14 to 13
Thanks again for the trust
Philippe Charriol Bracelet Rustan Philippines
TRIS FOUR HOURS 22.30
These are the ns. predicted for this race.
DEAL " mix of share "
2 MAMASCIA
7 INDIA
13 The Idol
14 MOON STARS
16 LUCILLE GRIF
good bet at all. 
These are the ns. predicted for this race.
DEAL " mix of share "
2 MAMASCIA
7 INDIA
13 The Idol
14 MOON STARS
16 LUCILLE GRIF
good bet at all.
Saturday, June 27, 2009
Horderves Wedding Reception
June 27 MONTECATINI Trot 22.30 ROME
we are STILL RUNNING FOR THIS EVENING THAT OFTEN HIDE BEAUTIFUL SURPRISES AND WE TRY THE RIFLE.
15 IUPPY
11 GALVANO OF
7 IVANOV BI
10 ISHULL OF POGGIO
5 IDY DEL COLLE recommend it as a winner.
Good bet! 
we are STILL RUNNING FOR THIS EVENING THAT OFTEN HIDE BEAUTIFUL SURPRISES AND WE TRY THE RIFLE.
15 IUPPY
11 GALVANO OF
7 IVANOV BI
10 ISHULL OF POGGIO
5 IDY DEL COLLE recommend it as a winner.
Good bet!
Tuesday, June 23, 2009
Bathroom Paint Colors That Go With Travertine
TROTTING AT 22.30 TRIS TRIS FOLLONICA
N3 and N17 WITHDRAWN
THESE NS. Forecasted
LIGHTNING 14 GA
20 LARCH
12 LUINO LOD
18 LORENZ ALLMAR
8 LETHAL DVM
FOR WINNING we trust No. 20 
N3 and N17 WITHDRAWN
THESE NS. Forecasted
LIGHTNING 14 GA
20 LARCH
12 LUINO LOD
18 LORENZ ALLMAR
8 LETHAL DVM
FOR WINNING we trust No. 20
Monday, June 22, 2009
Digital Playground's Movies Free Watch
FOURTH RACE AT 19.00
ns. prediction
ns. prediction
4 OF ISLAM GREPPO
6 Frömming BI
7 Gabber GIUSI
15IBISCO D'ALFA
1 GAZEBO JET
FOR THE WINNING No. 6 FROMMIN BI
FOR THE WINNING No. 6 FROMMIN BI
GOOD GAME AND THANKS AGAIN FOR THE TRUST
Thursday, June 18, 2009
Catchy Eating Slogans
Thursday, 18/06/2009 at 22:30
16 ETNA FONT
14 IMAGE OF SF
5 GOOGLE WISE
13 GELINOTTE OM
15 JASON EGRAL 
16 ETNA FONT
14 IMAGE OF SF
5 GOOGLE WISE
13 GELINOTTE OM
15 JASON EGRAL
Wednesday, June 17, 2009
Sample Letter To Help Depressed Friend
PALERMO TRIS-fourth-fifth ORE 22.30 ROMA
Today we neglect the tris afternoon to devote more closely on the night: After analyzing
Today we neglect the tris afternoon to devote more closely on the night: After analyzing
well performance and offer more of the following ns. system based on a t3 from € 32.
1) 16 - 17 - 18 to 11
2) 16 - 17 - 18 - 11 to 5
3) 16-1 7-18 - 11 - 5 to 15
Monday, June 15, 2009
Knight Rider Model Buy
Gallop - Mt 22:55
OUR. Forecast for the NS. TRIS FIRST EVENING:
13 A Trick
5 GREEN AIR
9 A) Moramanga
1) WHITE PERENNIAL
8) Kiron MAGA 
OUR. Forecast for the NS. TRIS FIRST EVENING:
13 A Trick
5 GREEN AIR
9 A) Moramanga
1) WHITE PERENNIAL
8) Kiron MAGA
Friday, June 12, 2009
Weak Pelvic Floor Premature
1600 hours TRIS SG TEATINO
8 LOGOS PF
8 LOGOS PF
18 LUPER BOXA
17 OM LUKE
14 LOBBY OK
16 LESTER MAC
FOR THE WINNING BID ON LUKE OM No. 17
Thursday, June 11, 2009
Vİrgİnİty Vİdeo
TARANTO 14.00 June 11 14.00 14.00
AND GO TO CONQUER THIS WITH TRIS NS. FORECASTING:
AND GO TO CONQUER THIS WITH TRIS NS. FORECASTING:
20 LOUIS Ghil SM
16 LIGHT VL
10 LACONIA RAB
14 houses of ALFA
3 Lorita
Wednesday, June 10, 2009
How To Keep A Band-aid On A Toddler's Finger
TORINO TROTTING
For this race we propose a t3 from 30 € instead of the usual five horses. We will try to accommodate you 
For this race we propose a t3 from 30 € instead of the usual five horses. We will try to accommodate you
proposing ns. predictions as soon as possible giving you the chance to play it to you "Estimate"
Here is the proposed system:
4 - 10 - 15
4 - 10 - 15 - 13 - 17
1 - 4 - 10 - 15 - 16 - 17 - 13
Saturday, May 9, 2009
Dvp-sr200p Not Playing Pal
MUSTAFA SABBAGH ultre the epithelial
By Patrick Silingardi and Sonia Schiavone
8 May to 20 June 2009
vernissage Friday, May 8, 2009 19:00
c / o MelePere (Verona)
miniature
vernissage Saturday 16 May 2009 19:00
c / o Vetusta (Modena)
Friday, May 8 2009 opens at the Gallery of Verona MelePere the staff Mustafa Sabbagh. Sensitive interpreter of a portrait photography that always eludes the artifices which fit with the glossy fashion styles, offers a series of works that are divided between the atmospheric basement of the gallery MelePere Verona, dating from the twelfth century. The vernacular context, impure and resigned stresses controversial suspension of perception. Photography is a reflection of his warm and calm, a clear liquid, a precious crystallization. Teen faces soaked lyricism rarely follow one another in expressions of the fascinations of the sidereal, the lens of this aesthetic side of the Alps - the Flemish and Scandinavian - that the ancient insights fifteenth-century Flemish School, takes place in today's leading-edge Tillmans, Teller and Dijsktra. In each place iconographic attribute that could endanger even the desire for a fleeting eternity aesthetics, naked flesh, the epitaliale is his ideal: the punctum creeps as a freckle, small subcutaneous vein, accident, bruises and small wounds. Scattered divine imperfections - in the manner of Caravaggio and the Pre-Raphaelites who had the ambition sacrilegious to portray something otherworldly in the shoes of impure raw reality - the poses nourish a frozen immobility of unprecedented immediacy. In some cases a dynamic appears dark and charming, filled with a spleen romanticheggiante, erotic resigned, unfinished. It agrees a kind of neoclassicism veiled expression where the vertigo of reality, the wonder dell'immondo, the perfect imperfection stand out as unique styles of portraits of an era that describes the decadent, afflicted, emaciated, underground - underground -.
Mustafa Sabbagh was born in Amman (Jordan) and studied architecture at the University of Venice. Since 2006 he teaches photography and communications at the Faculty of Architecture at the University of Ferrara. Trained in London as an assistant to Richard Avedon in 2007, plays an educational project of shooting at Central Saint Martins College of Art and Design. Collaborate and publish various works in numerous publications including Arena, The Face, Vogue Italy, L'uomo Vogue, Rodeo, Gasby, Front, Kult, etc.. Since 2004 he has contributed to several publications and exhibitions (bread & butter, Berlin, 2004; Human game and Welcome to my house, Firenze, Fondazione Pitti 2006; Lee jeans book, Berlin; bepositive, edwin, forfex, Milan, White, 2009; Meat, Milan, Superstudio, 2009). In 2009 participates in like-us, art exhibitions and interdisciplinary approach that pays homage to the genius of Tina Modotti, part of the Circuito Off di Bologna Art Fair. 
By Patrick Silingardi and Sonia Schiavone
8 May to 20 June 2009
vernissage Friday, May 8, 2009 19:00
c / o MelePere (Verona)
miniature
vernissage Saturday 16 May 2009 19:00
c / o Vetusta (Modena)
Friday, May 8 2009 opens at the Gallery of Verona MelePere the staff Mustafa Sabbagh. Sensitive interpreter of a portrait photography that always eludes the artifices which fit with the glossy fashion styles, offers a series of works that are divided between the atmospheric basement of the gallery MelePere Verona, dating from the twelfth century. The vernacular context, impure and resigned stresses controversial suspension of perception. Photography is a reflection of his warm and calm, a clear liquid, a precious crystallization. Teen faces soaked lyricism rarely follow one another in expressions of the fascinations of the sidereal, the lens of this aesthetic side of the Alps - the Flemish and Scandinavian - that the ancient insights fifteenth-century Flemish School, takes place in today's leading-edge Tillmans, Teller and Dijsktra. In each place iconographic attribute that could endanger even the desire for a fleeting eternity aesthetics, naked flesh, the epitaliale is his ideal: the punctum creeps as a freckle, small subcutaneous vein, accident, bruises and small wounds. Scattered divine imperfections - in the manner of Caravaggio and the Pre-Raphaelites who had the ambition sacrilegious to portray something otherworldly in the shoes of impure raw reality - the poses nourish a frozen immobility of unprecedented immediacy. In some cases a dynamic appears dark and charming, filled with a spleen romanticheggiante, erotic resigned, unfinished. It agrees a kind of neoclassicism veiled expression where the vertigo of reality, the wonder dell'immondo, the perfect imperfection stand out as unique styles of portraits of an era that describes the decadent, afflicted, emaciated, underground - underground -.
Mustafa Sabbagh was born in Amman (Jordan) and studied architecture at the University of Venice. Since 2006 he teaches photography and communications at the Faculty of Architecture at the University of Ferrara. Trained in London as an assistant to Richard Avedon in 2007, plays an educational project of shooting at Central Saint Martins College of Art and Design. Collaborate and publish various works in numerous publications including Arena, The Face, Vogue Italy, L'uomo Vogue, Rodeo, Gasby, Front, Kult, etc.. Since 2004 he has contributed to several publications and exhibitions (bread & butter, Berlin, 2004; Human game and Welcome to my house, Firenze, Fondazione Pitti 2006; Lee jeans book, Berlin; bepositive, edwin, forfex, Milan, White, 2009; Meat, Milan, Superstudio, 2009). In 2009 participates in like-us, art exhibitions and interdisciplinary approach that pays homage to the genius of Tina Modotti, part of the Circuito Off di Bologna Art Fair.
Thursday, March 5, 2009
Vegetable Sides To Go Withvenison
"front" of the opening with Jukka Reverberi Library Tapes live-set Sunday, March 8 18:00 Vetusta via Carteria 60 n.23
Thursday, January 22, 2009
How Many Citalopram Is An Overdose?
"like a tube after a long period makes the scent of the essence that there was contained a day, so even though some items retained some vague part of the love he had so penetrated and illuminated the fantastic lover." (Gabriele D'Annunzio, The Pleasure)
"(...) was conducted in a small valley between two mountains istretto / gearbox was admirably where / what is lost or our defect, or because of time or luck: / what gets lost here, there is Raguna / The tears and the sighs of lovers / unnecessary time is lost in play, / and the long idleness of men ignorant / rooms designs who have not ever spot, s are so many vain desires, / ingombran that most of that place: / what ever you lost down here in sum, / climbing up there you can find again. Ami gold and silver seen below / in a mass, which were the gifts / that fans with the hope of reward / kings, the greedy princes, and patrons / see hidden laces in garlands, and asks, / and heard that they are all flattery. / The cicadas have erupted image / verses praise of Mr. ch'in is doing. Nodes of gold and gems strains / c'han seen as the bad followed loves. / Eagle's talons were there and that they were, I knew, / authorities will give unto his lords. / I have filled the bellows ch'intorno Greppi / fumes are principles and favors / giving time to his Ganymede, / that it van with prime-age onwards. Of cities and ruins of castles / sozzopra stood there with great treasure. Question, and knows that they are treated, and the plot so badly that it seems that hides himself behind. / He saw snakes with damsel's face, / and coiner of the deed of robbers: / bowling then saw more broken fortunes, / who was the Servant of the poor short. (...) He saw great numbers of snares with viscosity, / who were, or women, your beauty. / Long will be, if at all to weave / things that fur there demonstrating; / after thousands and thousands I did not finish, And we are all to our occurrenze: / G madness there is little or much; / who is down here, or if they never part. (...) It was like a suttile liquor and soft / act to exhale, if not taken properly closed, s could be seen gathered in various vials, / What more, what less capable, capable of that use. / That is most of all, in that the neutral / Anglante was the great lord of wisdom infused, / and was known by the other, when / he had written out: Sense of Orlando (the story of a vial). And like all the others they had written yet / the name of who was the color of wisdom. / Of his most saw the ex-Duke, / but they did much more than the Marvel / drama that many had hoped he miss / do not have one, and there Denno / fair notice that little Lifted, / that much amount had in that place. More in love loses it, in other honors, from others in Search, scroll on Tue, riches / the hopes of others' Lord, others behind the magic nonsense; / others gems, others in deeds of painters, / and others in nothing but more like getting on the other. / Astrologers of sophistication and harvest, And still there were a lot of poets. "
(Ludovico Ariosto, Orlando Furioso rooms, Canto XXXIV.
Stefano Pasquini
The veneratio Ariostea in the moon. Elegia all romantic ' ubiquitous eternally repeated
Edited by Patrick and Francesca Silingardi Pincelli
17 January to 28 February 2009
vernissage Saturday, January 17, 2009 19:00
tells Louis Ariosto reason that the search for the lost dell'Innamorata Orlando (enclosed as distillate in an infamous vial), the knight Astolfo dell'Ippogrifo on horseback, arrived in a phantasmagoric Luna portrayed as a chaotic cesspool Shem where are collected all the things that have been lost on Earth. Sort of grand dump objects close to rejection and oblivion, the moon lends Ariostea homology with the disastrous depths where the postmodern aesthetic Stefano Pasquini is aimed to select the "raw material" that will go to the artifacts . Curious similarity to the tube described by Ariosto meets Duchamp's masterpiece 50 cc Air de Paris (12/27/1919, readymade - glass bulb, the original broken and repaired replication provided by Duchamp, 1949, Philadelphia, Philadelphia Museum of Art, The Louise and Walter Arensberg Collection), emblematic work to the understanding of the section of works which were chosen for this exhibition . The immense artistic production Stefano Pasquini, the ability to contain the uncontainable, the taste for those objects abstruse ambiguous, slightly surreal, in which condenses an excess of meaning and significance, is the excuse to tell his aesthetic temperament and marginal differs from the forward-looking research and post-punk kitsch that characterizes much of his work. In particular it is a series of assemblage catturapolvere and the limit of the sculpture, provocative accumulations of various objects, framing, graphic elements that are assigned the status of a relic, preziosimo and uniqueness. Duchamp permeated by a passion for reticence - not as understood as ambiguous silence but through silence - the selection of the work will be affected by emotional implications which preserve, emotional testimony and affection. Blank declared emblems of generation ("generation of Nothing"), not educated without reference to the avant-garde Dadaist, Surrealist, Situationist, Duchamp, and Warhol, they are objects, relics, which have benefited from time to time, the strategies recycling and use the second alternative aesthetics of refusal, an allure all dandy and proletarian, resigned and sought to proclaim a certain amount of disorder in which everything is placed on an equal footing. In particular, paradoxically nihilistic utopia in place, the noise of secular postmodern residue is sated in apparent silence, in the will and the occasion on which it is possible the implementation of the "religious" veneratio. Finally placed on the "pedestal" of the art, high rank, the objects, first unrecognized demythologizing, subjected to displacement and the distortion function, then appear as silent, no story screamed and picturesque, now prostrate with discretion and kindness to the veneration of the observer. And since they are subjected to the veneration of this statement is passionate and full consent to the fatal contingency of even the most humble subject, the diversity of his work to comply with a romantic elegy of ancient memory requested the disclosure of any kind of emotional content always sottogiacente unclean physical presence and immanence of things. At the highest point of his universe is the opposite of beauty and goodness commonly accepted, because the company captures the fascination with horror at the same time and inextricably trivial and serious, admittedly superficial but deep, deceptive and imaginary effective because vacuous, because indeterminate powerful, truthful ambiguous because the limits of reason.
Vetustaviacarteria60modena41100
Hours: Friday and Saturday 17:00 to 19:00 and by appointment
@ gmail.com +39 3475601841 +39 3316825625/studiovetusta / studiovetusta.blogspot.com
www.stefanopasquini.net
Thursday, January 15, 2009
The Whitehall Rowboat
cadeau (n17darkallure)
cadeau (n17darkallure)
20dicembre2008/9gennaio2009
Morella Berenice, Ligeia, Charles Baudelaire, Patti Smith, Arthur Rimbaud, Janet Frame, Matthias Grünewald Aschaffenburg, Jacques Derrida, Christian Boltanski, Ingmar Bergman, Louise Bourgeois, Jean Paul Sartre's nausea, Marlene Dietrich, Guido Reni, Antonin Artaud, Peter Murphy, Lydia Lunch, Diamanda Galas, Ian Curtis, Albert Camus, Sarah Kay, Bela Lugosi, Filippo Tommaso Marinetti, Santa Caterina da Siena, Jerzy Grotowski, Domount Bruno, Leonardo da Vinci, Joseph Beuys, Christian F., the Marchesa Luisa Casati with a greyhound, André Breton, Greta Garbo, Count Dracula, Marc Augé, Alice Liddell , Derek Jarman, Dr. Pignacca, Alfred Jarry, Gretel, Federico Fellini, Urs Lüthi, Julia Margaret Cameron, Man Ray, the Little Match Girl, Andrei Tarkovsky, Andy Warhol, Michelangelo Merisi, Eleonora Duse, Snow White, Arnold Böcklin, Janis Joplin, Bacon, Chas Addams, Pier Paolo Calzolari, Yves Saint Laurent, Arthur Rackman, Abel Ferrara, San Michele Arcangelo, William S. Burroughs, Odilon Redon, John Everett Millais, Albert Einstein, Hildegard von Bingen, Jean-Pierre and Luc Dardenne, Jules Renard, Jeanne D'arc, George Melies, Elvis Presley, Topogigio, Arthur Rimbaud, Jean Epstein, Meret Oppenheim, Diane Arbus , Cesare Pavese, Carlo Michelstaedter, aesthetics Fane, Praxiteles, Mina, Gustave Courbet, William Shakespeare, Charlie Chaplin, Gabrielle Chanel, Egon Schiele, Rosalba, Alfred Stieglitz, Pacman, Plato, Giacomo Leopardi, Arnold Böcklin, Maison Martin Margiela , William Morris, Properzia De Rossi, Walter Benjamin, Friedrich Wilhelm Nietzsche, Piero della Francesca, Victor Horta, Martin Heidegger, George Brian Brummel (elegantiae arbiter, 1778-1840), Slavoj Zizek, Pippi Longstocking, Hans Bellmer, Weegee, Madeleine Vionnet, Paolo Uccello, Jules Laforgue, Barbey d'Aurevilly, Gina Pane, Mario Perniola, William Blake, Sigmund Freud, Rei Kawakubo, Piero Manzoni, Walt Disney, Carol Rama, etc..
thanks to / avec la partecipation
Frank Antonelli, Colette Baraldi, Enrica Berson, Alex Bogacz, Anna Lisa Bondioli, Diego Borgazzi, Barbara Bottini, Andrea Chiesi, Claudia Hill, Simone Fazio, Adriana Jebeleanu, Pier Lanzillotta, Sabrina Muzi, Corrado Nuccini , Stefano Pasquini, Persians Adriano, Christian Rainer, Simone Rondelet, Mustafa Sabbagh, Gilda Scaggs, Matteo Serri, Andrea Sessa, Ascanio Tacconi, etc.. 
cadeau (n17darkallure)
20dicembre2008/9gennaio2009
Morella Berenice, Ligeia, Charles Baudelaire, Patti Smith, Arthur Rimbaud, Janet Frame, Matthias Grünewald Aschaffenburg, Jacques Derrida, Christian Boltanski, Ingmar Bergman, Louise Bourgeois, Jean Paul Sartre's nausea, Marlene Dietrich, Guido Reni, Antonin Artaud, Peter Murphy, Lydia Lunch, Diamanda Galas, Ian Curtis, Albert Camus, Sarah Kay, Bela Lugosi, Filippo Tommaso Marinetti, Santa Caterina da Siena, Jerzy Grotowski, Domount Bruno, Leonardo da Vinci, Joseph Beuys, Christian F., the Marchesa Luisa Casati with a greyhound, André Breton, Greta Garbo, Count Dracula, Marc Augé, Alice Liddell , Derek Jarman, Dr. Pignacca, Alfred Jarry, Gretel, Federico Fellini, Urs Lüthi, Julia Margaret Cameron, Man Ray, the Little Match Girl, Andrei Tarkovsky, Andy Warhol, Michelangelo Merisi, Eleonora Duse, Snow White, Arnold Böcklin, Janis Joplin, Bacon, Chas Addams, Pier Paolo Calzolari, Yves Saint Laurent, Arthur Rackman, Abel Ferrara, San Michele Arcangelo, William S. Burroughs, Odilon Redon, John Everett Millais, Albert Einstein, Hildegard von Bingen, Jean-Pierre and Luc Dardenne, Jules Renard, Jeanne D'arc, George Melies, Elvis Presley, Topogigio, Arthur Rimbaud, Jean Epstein, Meret Oppenheim, Diane Arbus , Cesare Pavese, Carlo Michelstaedter, aesthetics Fane, Praxiteles, Mina, Gustave Courbet, William Shakespeare, Charlie Chaplin, Gabrielle Chanel, Egon Schiele, Rosalba, Alfred Stieglitz, Pacman, Plato, Giacomo Leopardi, Arnold Böcklin, Maison Martin Margiela , William Morris, Properzia De Rossi, Walter Benjamin, Friedrich Wilhelm Nietzsche, Piero della Francesca, Victor Horta, Martin Heidegger, George Brian Brummel (elegantiae arbiter, 1778-1840), Slavoj Zizek, Pippi Longstocking, Hans Bellmer, Weegee, Madeleine Vionnet, Paolo Uccello, Jules Laforgue, Barbey d'Aurevilly, Gina Pane, Mario Perniola, William Blake, Sigmund Freud, Rei Kawakubo, Piero Manzoni, Walt Disney, Carol Rama, etc..
thanks to / avec la partecipation
Frank Antonelli, Colette Baraldi, Enrica Berson, Alex Bogacz, Anna Lisa Bondioli, Diego Borgazzi, Barbara Bottini, Andrea Chiesi, Claudia Hill, Simone Fazio, Adriana Jebeleanu, Pier Lanzillotta, Sabrina Muzi, Corrado Nuccini , Stefano Pasquini, Persians Adriano, Christian Rainer, Simone Rondelet, Mustafa Sabbagh, Gilda Scaggs, Matteo Serri, Andrea Sessa, Ascanio Tacconi, etc..
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